Eri
搜索"Eri" ，找到 1826部影视作品
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安德烈·泰希内
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故事发生在1940年6月的法国巴黎，带着两个孩子菲利普（格雷戈瓦·勒普兰斯-林盖 Grégoire Leprince-Ringuet 饰）和凯西（Clémence Meyer 饰）的单身母亲奥迪尔（艾曼纽·贝阿 Emmanuelle Béart 饰）正因为蠢蠢欲动的战火而提心吊胆着。该来的总会到来，当枪炮声回荡在街头巷尾之时，这位坚强的母亲毫不犹豫的加入了逃亡的队伍中。对于孩子们来说，这段漫长的旅程意义不明，对于母亲背井离乡的决定，他们并不十分理解。
德军的飞机对逃亡的队伍进行了残酷的轰炸，奥迪尔和孩子们虽然逃过了此劫，但全部家当却都消失在了熊熊的烈火之中。就在无依无靠的三人不知该如何是好的时候，一个名叫伊万（加斯帕德·尤利尔 Gaspard Ulliel 饰）的男孩出现在了他们的面前。
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雷尼·哈林
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女教师萨曼莎（吉娜·戴维斯 Geena Davis 饰）和8岁的女儿一起在宁静的小镇里过着安逸的生活，一切都令她感到十分满意，除了她曾经失去过部分记忆这一点。在一次车祸中，她失去的记忆开始复苏，而脑中出现的一些零碎片段让她对自己曾经的身份产生了怀疑。 通过私家侦探米奇（塞缪尔·杰克逊 Samuel L. Jackson 饰）的帮助，萨曼莎得知自己竟是一名联邦调查局的特工，而在调查局里，一个无意中得知了老板秘密的特工是不受欢迎的。萨曼莎仍然健在的消息不胫而走，她能够感觉到，一些非常残暴的恐怖分子正在渐渐接近她和她的女儿，他们的目的只有一个，那就是将她除之而后快。
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泰伦斯·费希
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In Spain a cruel and arrogant Marques is wedding a young and beautiful maiden. During the elaborate celebration a beggar appears. After making yuankan.cc fun of him, the marques gives the beggar some food and then has him thrown in the dungeon.The beggar becomes friends with the jailer and his young daughter. After the jailer died, the mute girl of his grows up to be a beautifu...
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迈克尔·斯派瑞,彼得·斯派瑞
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偏远的巴克莱小镇是一个宁静祥和的所在，当地居民友爱和善，四处洋溢着幸福和快乐。蕾妮•卓别林（Felicity Mason 饰）是镇上一个美丽的女孩，不久前她刚刚继承长辈的遗产和农场，然而福祸双至，由于家族遗留的债务问题，刚刚到手的财产以及自幼生长的农场全被银行夺去。伤心的蕾妮决定和男友远离家乡，去到另一个城市生活。 就在他们离开之际，天空突然坠下无数剧烈燃烧的陨石。不断有人被陨石击中，但随后他们便从地上爬起，变成了残暴无情、嗜血如命的活死人。蕾妮的男友也不例外，眼看要被男友杀死的蕾妮，关键时刻得到农夫马瑞恩（Mungo McKay 饰）的救助。她和其他几位幸存者必须想尽办法，逃出这个已被感染的死亡小镇……
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亚历克斯·沃尔夫
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亚历克斯·沃尔夫(《勇敢者游戏》《恐袭波士顿》)将执导个人首部电影长片《猫与月亮》(The Cat and the Moon)，他自己编写剧本并担任主演，卡司还包括米莎·巴顿、迈克·艾普斯(《星路多懊悔》《生化危机3》)、斯凯勒·吉桑多(《小镇滋味》《博物馆奇妙夜3》)、斯蒂芬妮娅·欧文(《可爱的骨头》《凯莉日记》)、汤米·尼尔森(《月升王国》)等。 讲述青少年尼克(沃尔夫)来到纽约，与已故父亲的爵士音乐家朋友卡尔(艾普斯)暂时居住在一起，他的母亲在康复中心生活。在此期间，尼克结交了一群朋友，见识到了纽约的多样性。巴顿饰演Jessica Petersen，吉桑多饰演Seamus，欧文饰演Eliza，尼尔森饰演Russell。
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Neil,Mandt
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To escape the clutches of the evil warrior and sorceress Morgana, Merlin transports young King Arthur into modern day America. When Merlin comes back ten years later to retrieve him, he finds a hip 15 year-old Arthur who does not believe Merlin, nor does he want to return to the past. Merlin must convince Arthur of his true identity, before Morgana can retrieve Excalibur and allow the Dark Forces to take over the world.
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Bille,Woodruff
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十七岁的玛利亚（卡特琳娜·格兰厄姆 Kat Graham 饰）刚刚被少管所释放，回到了故乡，在那里，她决定开始新的生活。某日，玛丽在机缘巧合之下来到了哈尼丹尼尔斯教授的舞蹈工作室，热爱跳舞的她很快就在那里找到了属于自己的舞台。 布兰顿（兰迪·韦恩 Randy Wayne 饰）注意到了隐藏在玛利亚身上的激情和天赋，于是邀请她和他一起训练HD舞蹈队。与此同时，玛利亚的前男友路易斯（Christopher 'War' Martinez 饰）回到了玛利亚的身边，亦向她抛出了橄榄枝，然而，玛利亚不希望重蹈覆辙，她拒绝了路易斯。在布兰顿和玛利亚的带领下，HD舞蹈队参加了电视舞蹈大赛，而将要同他们同台竞技的，恰恰是路易斯和他手下的队伍。
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让-吕克·戈达尔
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这部影片被形容为一部“三个乐章的交响乐”，片中集合了几位有着不同国家、种族背景的角色。影片的故事发生在一艘地中海豪华邮轮上，游轮行经六处著名的欧洲神话故事遗址，其中包括埃及、巴勒斯坦、希腊、敖德萨、那不勒斯、巴塞罗那。来自世界各地不同文化背景、说着不同语言的乘客在这里相遇。主要角色包括一位来自莫斯科警察局的探长，一名出身背景不详、由孙女陪同的老战犯，一名上了年纪的法国警察，一位巴勒斯坦大使，一位前联合国女官员，一名间谍，以及法国哲学家阿兰·巴丢和美国“朋克教母”帕蒂·史密斯。
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塞缪尔·蒂尔曼
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戴维本是个有着幸福生活的年轻父亲：一个他深爱的妻子，两个可爱的孩子，还有一群经常相伴出游的死党。然而，在一次与家人和朋友的度假之后，一切都变了......在度假期间，发生了一起谋杀案，而戴维据被警方列为高度怀疑对象。然而，随着调查的深入，戴维的秘密被一个一个的揭穿......并不明朗的案情，朋友们的疏离，同事们都把他当杀人犯小心提防，就连相爱多年的妻子也对他心存戒备，保持距离，曾经美好的家庭面临破碎的危险。尽管戴维坚称自己是无辜的，但整个事件已经对他的人生产生了不可挽回的影响，在愧疚自责和抑郁不平中，戴维将面对已经变化的亲友关系，怎样重启新的生活......
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耶利米 S. 谢奇克 (Jeremiah S. Chechik)
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12岁的丹尼尔对于单调乏味的农场生活感到非常厌倦，而父亲常提起的旋风快抢牛仔佩克斯比尔等三位西部传奇人物的英勇故事，觉得只是个荒诞不经的神话罢了，后来农场遭到土地收购商的觊觎，在千钧一发之际，丹尼尔带着父亲临危交给他的农场所有权状，躲避了土地收购商的追赶。面对遭遇贪婪商人攻击而受伤的父亲，丹尼尔既悲且愤地奔向自家后院湖边的小船哭了起来，并且不知不觉的沈睡了。在梦境中丹尼尔究竟遭遇到了什么怪事呢？父亲会提及的三位传奇英雄会走出梦境与他一起并肩击败凶狠的土地收购商吗？
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Yesim Ustaoglu
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Ayse/Eleni who is a member of a Greek family in Turkey is forced to immigrate from Trabzon to Mersin in her early ages. However, the events that happen cause her to face her own past.
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Warren Leight
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Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'
By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.
Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.
One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.
While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken.
Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...