Jea
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让-吕克·戈达尔
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Divided into three "kingdoms" -- Enfer (Hell), Purgatoire (Purgatory) and Paradis (Paradise) -- Notre Musique is an indictment of modern times.
頑皮老頭高達在新作挑釁如常,堅持如舊,對電影愛情如一,但從形式到內容,卻續有新境。比前作《愛之頌》更練達更擊中要害,是他近年最激的反思作品。三段結構的開篇〈地獄〉,戰地實錄與荷里活戰爭片交替,寓意彰甚:人類真會嗜戰。〈煉獄〉借薩拉熱窩做說書人,真實與虛構人物(包括高達自己)到此舉行文化圓桌會議,大家在寬恕迷宮中兜轉,唯有佇立已修復的莫斯塔古橋,才感一絲希望。高達最後領我們到〈天堂〉,人間竟有春色如許?但-有美軍駐守!全片最動人一幕:學生問 DV 可否打救電影?高...
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约汉·曼卡
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Nour, a 14-year-old boy, is enjoying the beginning of the summer holidays in the South of France. He is the youngest of four brothers. They live together in a council estate, taking turns caring for their mother who is in a coma. She used to love Italian Opera, so Nour plays it for her, and develops a passion for that music. Between community work and rising tensions at home, N...
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罗伯特·布列松
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影片以日记的形式呈现。无所事事的年轻人米歇尔(马丁·拉萨尔 Martin LaSalle 饰)在赛马场目睹了一个小偷偷窃的全过程,他被小偷那自信优雅的手法所吸引遂即加入了偷窃的勾当。爱读书,坚持虚无主义哲学思想的米歇尔坚信偷窃是一种手指的芭蕾,一场完美的行窃就像一场精彩的行为艺术。米歇尔有一个久违的病重的母亲,在去探望的时候结识了一直照顾他母亲的邻居珍妮(玛莉卡·格林 Marika Green 饰),漂亮的珍妮唤醒了米歇尔心中沉睡已久的感情。米歇尔被警察盯住了,警长虽然三番五次的给了他改过自新的机会,但米歇尔依旧沉迷于他的“艺术”中无法自拔,很快,米歇尔被捕了。
珍妮来狱中探望米歇尔,她向他袒露了自己的真情,米歇尔在泪水中猛然醒悟,当生命中还有所爱的人存在,生活就不会是一片虚无。
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伊维斯·西蒙尼奥
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故事发生在1795年的法国,下级军官拿破仑(克里斯汀·克拉维尔 Christian Clavier 饰)遇见了美丽的约瑟芬(伊莎贝拉·罗西里尼 Isabella Rossellini 饰),一见钟情的两人很快就走到了一起。之后,拿破仑在战争中的出色表现和人民对他的拥戴引起了巴黎政府的不满,上司将拿破仑派往了遥远而又危险的埃及。 远在埃及的拿破仑得知国家的安全正受到反法联盟的威胁之时果断回国发动政变,最终成功的成为了首席执行官。然而到了1807年,在沙皇的支持和怂恿下,奥地利出兵法国,为了维系政权的稳固,拿破仑不得不同奥地利公主和亲,然而一切已经为时已晚,与此同时,悲伤的约瑟芬亦离开了拿破仑。
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伊维斯·西蒙尼奥
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故事发生在1795年的法国,下级军官拿破仑(克里斯汀·克拉维尔 Christian Clavier 饰)遇见了美丽的约瑟芬(伊莎贝拉·罗西里尼 Isabella Rossellini 饰),一见钟情的两人很快就走到了一起。之后,拿破仑在战争中的出色表现和人民对他的拥戴引起了巴黎政府的不满,上司将拿破仑派往了遥远而又危险的埃及。 远在埃及的拿破仑得知国家的安全正受到反法联盟的威胁之时果断回国发动政变,最终成功的成为了首席执行官。然而到了1807年,在沙皇的支持和怂恿下,奥地利出兵法国,为了维系政权的稳固,拿破仑不得不同奥地利公主和亲,然而一切已经为时已晚,与此同时,悲伤的约瑟芬亦离开了拿破仑。
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Francis
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Set in a small Quebec town in the late-1920′s, this emotional drama follows the life and exploits of Celeste Beaumont, a talented young pianist who gains local celebrity at the town movie theater for her gifts as a silent film pianist. Awkward Pierre Blaudell is her biggest fan and eventually marries her. Shortly after this she bears his son, Pierre, who joins the army. She insists on joining him at the base and his meddlesome, snooty parents insist she give them her son. Pierre is killed in the war, and Celeste flees to New York where she finds steady employment as a jazz pianist. She finds a life-long companion with a black musician and chronicles her experiences in a diary that she passes on to her son after he grows up. Her son becomes a painter and once his own son, Antoine, is grown, reads him the story of Celeste, the youth’s grandmother. Intrigued, Antoine heads to the Big Apple in hopes of finding her.
This movie is an emotional drama about how Antoine, played beautifully by François Méthé, discovers the details of his heritage. This film won many awards in Canada and at Cannes in 1988. François Méthé, who was about 11-years-old, never acted again after this movie.
From IMDb:
A quiet painter, separated from his wife for a year, receives a suitcase in the mail from his mother, whom he hasn’t seen since infancy. He believes she abandoned him to his wealthy, paternal grandparents. The suitcase contains mementos and a diary, a long letter to him, written over the years, with details of her youth, her first job as a pianist at a cinema, the coming of talkies, her marriage, and how he came to live with his grandparents. As he reads through the materials and her story comes to life, his son Antoine, who’s about 10 or 12, tries to break through his father’s silence and sorrow by taking matters into his own hands.
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罗伯特·布列松
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年轻的画家雅克从乡间搭车前往巴黎。在到达巴黎的那个夜晚,他偶遇了正想投河自杀的玛尔特。雅克救下了她,并陪她回家,他们相约转天晚上再见面。第二个夜晚,雅克和玛尔特交换了彼此的人生故事,在玛尔特的请求下,雅克成了玛尔特和她情人间的信使。然而,那位绝情的情人并没回信,这让玛尔特非常失落。在接下来的两个夜晚,雅克对玛尔特的衷情终于得到回应,玛尔特也向雅克倾诉了爱意。第四个夜晚,正当两人挽手同行时,他们偶遇了玛尔特原来的情人…… 本片改编自费奥多尔·陀思妥耶夫斯基的短篇小说《白夜》。
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特伦斯·戴维斯
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In sepia tones, the film moves back and forth among three periods in Robert Tucker's life: he's an old man, near death, in a nursing home at Christmas time; he's in middle age caring for his cheerful but dying mother; he's a lad at Catholic school, practicing his catechism, going to confession for the first time, receiving the Eucharist, surrounded by the singing of a children's choir. In middle age, he looks through his scrapbook of photographs of muscular men; he recalls lovers and his mother's cremation. A nurse sits beside him on his last night; in his last breath, he reaches forward and back..
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劳尔·鲁伊斯
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关于故事的故事,一切要从这年青学生的怪遭遇讲起。
他刚杀了人,双手血仍未冷,第一件要做的事,却是到附近的舞场,聆听这醉酒水手的传奇一生。不记得多少年前,水手从自己的家乡启程,搭上一艘由幽灵驾驶的远航船。鬼船的诅咒是:他是唯一一个船上的生灵。鬼船在拉丁美洲各个港口漂荡,水手随船到处经历,在船上、妓院、码头间度过比神话更匪夷所思的历险。
这许多魔幻经历,满有波赫士小说的魔幻神采,而以别创一格的视觉及美术效果呈现,反映出拉乌尔 鲁兹(Raoul Ruiz)对超现实、表现主义影像的驾驭,可谓惊世骇俗。
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让·雷诺阿
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亨利(让·迦本 Jean Gabin 饰)经营着一家夜总会,进行一些下流艳俗的表演,擅长跳肚皮舞的劳拉(玛丽亚·费力克斯 María Félix 饰)是台柱一般的存在。不景气的经济和亨利的不善经营很快就让夜总会来到了濒临破产的边缘,就在这个节骨眼上,亨利认识了平凡的洗衣女工妮妮(弗朗索瓦·阿努尔 Fran?oise Arnoul 饰),在妮妮的身上,亨利看到了过人的天赋,并且开创了“康康舞”这一前所未有的舞蹈形式。凭借着康康舞,亨利的夜总会再度红火了起来,然而劳拉和妮妮之间日积月累的矛盾却在开业的那一天彻底爆发。之后,一位亲王爱上了妮妮,打算给夜总会投资,可眼红的劳拉却破坏了这桩生意。
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路易·德吕克
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Like his fiery study of a popular milieu in Fièvre, Louis Delluc's early masterpiece of impressionist cinema, La Femme de Nulle Part, is almost impossible to see outside of rare archival projections in Paris. Shot in natural settings, and stripped of all that is not cinema, Delluc's psychological drama featuring symbolist muse Eve Francis is an experiment in 'direct style.' A f...
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弗洛朗-埃米利奥·西里
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洛杉矶警局的谈判专家杰夫(布鲁斯•威利斯 Bruce Willis 饰)在一次解救被劫持人质行动失败后,心灰意冷,觉得自己已经不再适合担当起这份重要的工作,于是申请调职前往一个治安良好小镇的警察局任职,心想在那里平静的度过下半辈子。 这天,小镇的三名不良青年意图偷走会计师史密斯(凯文•波拉克 Kevin Pollak 饰)的汽车时,意外令他们困在了一栋豪宅当中,惊慌失措的三人劫持了史密斯一家作人质。一向没有应付过这种场面的小镇警察们一时手忙脚乱。杰夫只能再次出马,重操旧业。同一时候,杰夫的家人也遭到了绑架。杰夫面对这起双面绑架案会如何处理?
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让-皮埃尔·梅尔维尔
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杰夫(阿兰·德龙 Alain Delon 饰)是一名沉默寡言的杀手,他住在一间旅馆里,仅与一只鸟为伴。独来独往的他接到委托暗杀俱乐部的老板,尽管行动天衣无缝,但警察还是扣押了他。钢琴女马蕾莉(凯茜·罗齐尔 Cathy Rosier 饰)认出了杰夫就是当天的可疑男子,但她却选择了包庇杰夫,这使杰夫心生疑虑。杰夫找到中间人结算工钱,没想到中间人开枪打伤了他。逃过一劫的杰夫暗中查明了雇主的身份,找到并且杀死了他,但同时,他发现,当初袒护他的马蕾莉,居然是雇主的情人。心情复杂的杰夫举着手枪来到俱乐部质问马蕾莉,却被早已埋伏在此的警察乱枪打死,事后,警察们发现,杰夫的手枪中并没有子弹,他这一行为的意义也成为了一个永远的秘密。