Ko
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拉希德·努格马诺夫
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In the bleak filmscape of glasnost, The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period, it contrasted sharply to the mainstream, which was overwhelmed with revisionism of the Stalinist past and nihilistic social criticism. Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having come from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has come to be known as the "Kazakh New Wave." Represented by such works as Alexander Baranov's and Bakhyt Kilibayev's The Three (1988) and Woman of the Day (1990); Kilibayev's The Tick (1990); Baranov's He and She (1990); Abai Karpykov's Little Fish in Love (1989); and Serik Aprymov's The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film of the late 1950s. The Needle was the movement's a bout de souffle. The film also became a model for the Russian version of postmodernism—uninhibited and uninformed, compensating for the lack of culture, skill, and resources with mischief and wit. A young man named Moro (played by Viktor Tsoi, the late rock 'n' roll legend from the St. Petersburg band "Kino") returns to his Asiatic hometown only to find his exgirlfriend, Dina (Marina Smirnova), becoming a drug addict and himself becoming involved in the bizarre life of the city's underworld. In an attempt to save Dina, Moro takes her away to the Aral Sea, turned into a barren desert by the time they arrive. There Dina seems cured, but back in town everything starts anew. Almost desperate, Moro decides to fight the drug dealers, led by a hospital doctor (played by another rock 'n' roll star, eccentric leader of the "Sound of Mu" band and the future star of Taxi Blues, Pyotr Mamonov), when one of them stabs him in a deserted park.
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柏西·艾德隆,菲利克斯·艾德隆
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1910年,有“音乐暴君”之称的马勒,发现心爱的太太红杏出墙,第三者竟然是Bauhaus创办人兼建筑师Walter Gropius。受尽情变折磨的马勒,远走荷兰找来正在度假的弗洛伊德尽诉心声。起初不愿意接受心理治疗的马勒,无奈坐上弗洛伊德的病人床,回忆起跟年轻19岁的太太Aima的相遇情形:两人火速热恋,互相欣赏。但婚后的马勒,却严禁太太追逐她的作曲梦。女儿逝世过后,二人的婚姻开始触礁,促成太太的出轨行为。与弗洛伊德的一席话,令马勒自信找到了挽救婚姻的方法。马勒逝世100年几年电影,揭开一代古典传奇音乐家的爱情故事。
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William De Vital,William de Vital
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World renowned journalist Sara Ogden is traversing the world in pursuit of carriers of a fatally dangerous "Stamp of Cain" in order to prevent seemingly unrelated events such as mass murders, turmoil, revolutions and chaos. She doesn't even suspect how close she is to the edge of the abyss, when in her search she ends up in Belarus to meet face to face with the one, whom she ha...
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黑泽清
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在设计公司上班的加濑鸣海(长泽雅美 饰)早就和丈夫真治(松田龙平 饰)的爱情走向破裂,可是在丈夫走失再回来的时候,她却发现对方似乎丧失了记忆,对周遭一切都懵懂无知。与此同时,城市内姓立花的人家发生血腥的杀人案,作为重要嫌疑人的学生妹立花明(恒松佑里 饰)则下落不明。周刊记者樱井(长谷川博己 饰)受命前往案发现场,却遇到了举止怪异的青年天野(高杉真宙 饰)。天野自称来自外星,他和包括立花在内的同类们正筹划入侵地球。半信半疑的樱井随其踏上寻找立花的旅途,而另一边的鸣海也对丈夫的真实身份产生了质疑…… 本片根据劇団イキウメ的负责人前川知大2005年首演的舞台剧、并于2007年出版的小说改编。
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马修·卡索维茨
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影片改编自Maurice G. Dantec的畅销小说《Babylon Babies》。
未来世界,随着科技的超速发展,大量高科技的机器人投入使用,为人类提供便利的同时也取代了大批劳动力。很快机器人的数量就已与人类不相上下,世界变成了机器与人类共生的一个团体。Toorop(范·迪塞尔 Vin Diesel 饰)是一名退役的老兵,空有一身的武艺却终日无所事事,转业当上了拿钱办事的雇佣兵,专门接受各种护送任务。一日,他接受了一项新任务:在Rebecca修女(杨紫琼 Michelle Yeoh 饰)的陪同下,押解一个神秘女人横跨欧亚大陆。然而他并不知道对方身上原来有着某种可怕的病毒,这种病毒的力量足以毁灭全世界。与此同时,一个邪教组织也正在对她虎视眈眈,企图利用这名女性产下一个基因改良的人种……
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Robert Lee
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一天联邦密探杰森·威尔士在联邦调查局办公室中接到了一项任务,他要假死以便潜入一个恐怖组织:第五公司。在一场烟火和爆炸的假相中,杰森·威尔士变成了杰森·布莱克,一个新的杀手,跟随第五公司里最好的杀手西门·奎恩学习杀人技巧。杰森学了很多并发现了西门更人性化的一面。所谓“沉默者”就是做的没有证据,西门很快就让杰森了解了从正反两方面的进攻,所谓的专家就是能又快又利落的完成任务,让被杀者瞬间死亡。杰森很用心的学习,但奎恩一直在怀疑他,最终还是发现了他的真实身份。让奎恩更吃惊的是当他汇报他的发现时却被告知:杰森只不过是他们的一步棋,他将是第二天刺杀开顿议员的替罪羊。当杰森明白一切的时候他简直难以置信,无意间还发现了他父亲的真正死因。但这时每个人都想让他沉默,除了他过去的敌人奎恩。杰森为了他的父亲还是勇敢的面对这一切,走上了一条艰难的路。@m.yakutv.cc
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列夫·阿塔马诺夫,Phil Patton
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两个年幼的孩子,凯和格尔达,听格尔达的祖母讲述白雪公主的传说。凯开玩笑说,如果他遇到女王,他会把她放在热炉上,然后把她融化。在魔镜里注视着孩子们的冰雪女王生气了,用权杖砸碎了魔镜。她对冰块施了魔法,并在城市上空掀起了一场大暴风雪。一阵狂风改变了凯的心,让他对格尔达变得冷酷无情。第二天,凯将他的雪橇绑在白雪女王的雪橇上,雪女王将她心甘情愿的俘虏抱在怀里后消失了。格尔达出发前往冰雪女王的宫殿,决心在她把她的朋友带回来之前绝不放弃。