莉萝·潘蓓

搜索"莉萝·潘蓓" ,找到 4部影视作品

莉莉玛莲
导演:
/ 赖纳·维尔纳·法斯宾德
剧情:
二战时期的瑞士苏黎世,德国歌女Willie(汉娜·许古拉 Hanna Schygulla饰)和犹太作曲家Robert Mendelsson (吉安卡罗·吉安尼尼 Giancarlo Giannini 饰)相恋,而Robert的父亲Mendelsson则是一个帮助犹太人逃离德国的地下组织领导,他反对儿子和Willie的恋情,于是设下圈套让Willie留在了德国无法回到苏黎世,想借此来拆散二人。滞留德国的Willie只能靠唱歌维生,受到了许多德国人,甚至德国军官的喜爱。更得到了去电台录制音乐的机会,她唱的一首歌《Lili Marleen》更是让她成为了全德国士兵的梦中情人。这首歌曲陪伴着在前线的士兵们。而回到瑞士的Robert也没有放弃两人的爱情,他潜回德国和Willie相聚,不想却被纳粹所抓。而对Robert一往情深的Willie,又该如何利用她在德国...
四季商人
导演:
/ 赖纳·维尔纳·法斯宾德
剧情:
曾经是一名警察的汉斯(汉斯·希尔斯缪勒 Hans Hirschmüller 饰)因为被妓女诬陷而丢掉了工作,为了糊口,心怀大志的他不得不成为了一名水果小贩。汉斯无法取得心爱姑娘的父母的信任和赏识,已经到了成家年龄的他最终娶了名叫伊尔姆加特(伊尔姆·海尔曼 Irm Her mann 饰)的女人。   自打结婚后,汉斯的人生正式走上的下坡路,伊尔姆加特的粗暴和无礼为汉斯的不如意雪上加霜。汉斯得了心脏病,在住院期间,独守空房的伊尔姆加特耐不住寂寞,和邻居安策尔(Karl Scheydt 饰)之间发生了不道德的关系。出院后的汉斯已经无力再沿街叫卖水果了,改为摆水果摊。一次偶然中,他与战友哈里(Klaus L?witsch 饰)重逢了,尽管哈里给汉斯一家带来了不少的快乐,但他依旧无法阻止汉斯走向绝望。
第三代
导演:
/ 赖纳·维尔纳·法斯宾德
剧情:
影片讲一个自称恐怖分子的团伙,是由社会中上层人士组成的,他们的反社会行为替政府的镇压提供了依据。在这部影片中,暴力不仅作为一种反抗社会的武器是无效力的,而且它实质上已为社会所同化。正像影片中一位警官所说:“我最近做了个梦……梦见资本家捏造出恐怖主义是为了迫使政府更好地保护他们。”影片的内容十分荒诞、角色的性格带有神经质而且颓废。
法斯宾德:无索求地爱
导演:
/ Christian,Braad,Thomsen
剧情:
Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled, as well as a body of unique, multi-layered and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. Fassbinder – Lieben ohne zu fordern is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother Lilo in the 1970s. The film also contains current interviews with Irm Hermann and Harry Baer, both of whom were close to Fassbinder. Beginning with Fassbinder’s extraordinary childhood in traumatised post-war Germany, the film, which is divided into seven chapters, provides an illuminating, intimate and moving tribute that bears witness to the enduring relevance of both the man and his work. Today in particular his oeuvre continues to provoke us to engage with controversy and tension – be it aesthetical, creative or critical. berlianle 2015